Who painted the picture of the feather of the finist clear falcon. Finist - clear falcon

There lived a peasant, and soon he became a widower. He left behind three daughters. The man had a huge farm, and he decided to take on a worker as an assistant. However, Maryushka dissuaded him, saying that she would help him in everything. So she works from dawn to dusk, and her sisters just dress up and have fun.

So the father went to the city and asked his daughters what to bring them. The eldest and middle asked for different outfits and trinkets, only Maryushka needed a feather from Finist, the clear falcon.

On the way home, he met a strange old man who gave him the treasured feather.

The peasant brought gifts home, the girls rejoiced and made fun of their sister.

So everyone went to bed, and she took the feather and said the magic words. Since then, the groom appeared to her at night, and in the morning he turned into a bird again. The envious sisters tracked her down and set a trap for the falcon. He injured himself on sharp knives and could not break through to the girl. Then he said that she would look for him for a long time, having worn out more than one pair of shoes.

Maryushka set off on her journey. She walked and walked and came across a hut in which Baba Yaga lived. She then told her that her fiancé had been bewitched by an evil sorceress, turned him into a bird and made him her husband by force. The old woman gave the girl a saucer and a golden egg and sent her to a distant kingdom. She also advised her that Maryushka should get hired to work for the queen, and when she finished all her work, she would begin to roll the egg on a saucer. And if she is asked to sell this miracle, she will not agree.

When the girl walked through the dense forest, all the forest animals helped her get there. And the gray wolf even carried her to the magnificent mansion. Here she went to work for the ruler.

For her things, which the old women gave her, she looked at her betrothed. But she had to do this at night, when he was fast asleep and it was impossible to wake him. And now she only had the bottom and the spindle, and she gave them for a meeting with the groom. Only Finist doesn’t wake up - clear falcon. The girl began to sob, and one tear fell on him. Her lover woke up. But the sorceress does not want to give up Finist, the clear falcon. Then he asked in front of all his subjects whether a real wife could lie? Then everyone realized that Maryushka was suitable for his wife.

They got married and began to live happily.

The work teaches us that each of us can make ourselves happy by working through perseverance and love for people.

Picture or drawing Finist - clear falcon

Drawing a falcon in flight

Of course, first we will draw a diagram with a pencil.

The body is compact - elongated, the neck does not stand out - so together with the head the bird looks like a torpedo. Moreover, the beak is small and strongly curved down. The tail is narrow, folded in flight rather than fanned out.

The wings... the wings are very large, they are believed to be sickle-shaped. Well, depending on how you look at it, if you look at it in three-quarters, then the bend of the wings looks very tricky.

Well, how do we paint it? But the color is light ocher with numerous spots, one might say pockmarked.

Yeah, powerful bird, you'll fall in love!

Let's draw the head of a falcon

What immediately catches your eye? - Large Round eyes with an attentive and unkind expression and a beak with a very strongly hooked upper beak (this is the name of the upper half of the beak).

The head is flattened, the forehead is very sloping - everything for a streamlined shape and speed of flight.

Even the outline drawing of the falcon's head is very impressive, and if you color it...

And one more lesson - how to draw a sitting falcon. Or standing?

Step-by-step drawing - a falcon has landed

The falcon has landed and is looking around vigilantly.

The body is almost straightened, extended upward.

The wings are not yet folded on the back and are ready to fly. The paws tenaciously hold on to the stump with powerful claws - well, that’s right, from level ground it would be very difficult for a falcon with its large wings to take off.

Russian folk tale "Finist - the clear falcon" adapted by A. Platonov

Genre: magical folk tale

The main characters of the fairy tale "Finist - the clear falcon" and their characteristics

Maryushka, a beautiful girl, the youngest daughter of a peasant. Fearless, loyal, loving. Kind and hardworking.
Finist is a clear falcon. He turned into a good young man. For most of the tale, he slept, besotted by the queen.
The queen, evil and treacherous, wanted to keep Finist by force, but sold him to Maryushka for gold and silver things.
Peasant, Maryushka's father
Older daughters, envious and ugly
Baba Yaga - three sisters, kind, but very scary

Plan for retelling the fairy tale "Finist - the clear falcon"

Maryushka runs the house
Gifts for daughters
Feather of Finist - a clear falcon
Envy of sisters
Maryushka goes in search
Baba Yaga, saucer and egg
Baba Yaga, fingers and needle
Baba Yaga, spindle and bottom
Help the gray wolf
First night with Finist
Second night with Finist
Finist's Awakening
Wedding

The shortest summary of the fairy tale "Finist - the clear falcon" for reader's diary in 6 sentences

The peasant had three daughters, the eldest were greedy and envious, the youngest, Maryushka, was kind and hard-working.
The peasant gave Maryushka Finist’s feather, and the sisters stuck knives into the window and Finist flew away to distant lands.
Maryushka went to look for Finista, wore three pairs of iron boots, visited three Bab-Yagas, and received three gifts.
Maryushka hired herself to work for the queen, and she asked to sell magical gifts.
Maryushka gave gifts for the right to look at Finist, but he was sleeping and did not wake up until Maryushka began to cry.
The queen did not want to let Finist go, but the princes and merchants decided that Finist’s wife was Maryushka.

The main idea of the fairy tale "Finist - the clear falcon"
Love cannot be bought or sold.

What does the fairy tale "Finist - the Clear Falcon" teach?
This fairy tale teaches us to be kind, hardworking, and persistent. Teaches you to be faithful in love and not to stop at obstacles on the way to your goal. Teaches that one should not trade a loved one, teaches that kindness and love will always be rewarded as they deserve.

Review of the fairy tale "Finist - the clear falcon"
Very beautiful and interesting story about love, full of magic. I really like the main character of this fairy tale - Maryushka. Cheerful and kind girl, she fell in love with the kind young man Finist and was able to go through a very difficult path, but regain Finist. There are many magical transformations in the fairy tale, there are good and evil heroes in it, but it ends very well. And that's why I like this fairy tale so much.

Proverbs for the fairy tale "Finist is a clear falcon"
The one who walks will master the road.
Love neither burns in fire nor drowns in water.
There is no use or joy in daring and envy.

Summary, a retelling of the fairy tale "Finist - the clear falcon"
The peasant's wife died and he was left alone with three daughters. I wanted to hire a worker, but my youngest daughter Maryushka said that she could handle the housework herself.
Maryushka was kind and hard-working, a real beauty, but her sisters were angry and envious.
So the peasant went to the city, the sisters asked for half shawls, Maryushka asked for Finist’s feather. The father brought gifts for his older daughters, but didn’t get a feather for the youngest.
I went to the city for the second time. The older ones are asking for boots, the younger ones are asking for Finist’s feather again. And again the father could not find the gift.
The third time he goes, he meets an old man, and he gives him the feather of Finist, the clear falcon.
The sisters laughed on Maryushka, and at night she took the pen and ordered Finist, the clear falcon, to appear before her. And then Finist appeared and became a good fellow. For three nights Maryushka called Finist to her place. And then the sisters suspected something was wrong and stuck sharp knives on the window.
Finist fought against the knives and wounded his entire chest. He flew away, but said that it would be difficult to find him.
Maryushka woke up, heard those words, cried, and went to her father. She said that she was leaving, ordered three pairs of iron shoes, three caps and three staves and went on a long journey.
Whether it was a long walk or a short walk, she wore out only her shoes and wore out her staff. He sees a hut on chicken legs. Maryushka went into it, and Baba Yaga was sitting there, complaining about the Russian spirit.
The kopeck piece said that Finista was looking for a clear falcon.
Baba Yaga said that the queen gave Finist a drink and made her a groom. She gave Maryushka a silver saucer and a golden egg and sent her to the distant kingdom.
Maryushka is walking through the forest, and then the cat jumps out and warns that what will happen next will be even worse.
Maryushka came to another hut on chicken legs, with skulls on the mesh. And there is another Baba Yaga, the sister of the previous one. She gave Maryushka a silver hoop and a gold needle and also told her not to sell them.
Marbyushka went further. The dog runs and warns that it will be scary. Maryushka was already wearing off her third shoes and had reached the third hut. And there is an even older and scarier woman. She gave Maryushka a silver bottom and a golden spindle and again ordered her not to sell.
Now the wolf is approaching. He planted Maryushka and took him to the right kingdom.
Maryushka hired herself as a worker for the queen. She works during the day, and at night they show her Finist’s saucer and testicle. The queen found out about this and asked to sell the saucer with the egg. And Maryushka asks Finist to show him. The queen agreed and brought Maryushka to Finist.
Finist the clear falcon is sleeping soundly, Maryushka did not call him.
Maryushka is working again, using a silver hoop and a golden needle to embroider.
The queen again asks to sell the hoop and needle, and Maryushka Finista demands to see it.
The queen again brought Maryushka to Finist. But Finist sleeps and does not wake up.
Maryushka took out a silver bottom and a golden spindle and again history repeats itself. Only this time Maryushka cried, her tear fell on Finist’s shoulder and he woke up.
I saw Maryushshka, was happy, and wanted to go home. And the queen persuaded the princes and merchants to seize Finist and execute him. Yes, only Finist asks them who is a man’s real wife, the one who deceives, or the one who loves deeply.
Everyone agreed that Maryushka was Finist’s real wife, and she and Finist left and began to live and make good money.

Signs of a fairy tale

Triple repetitions: the peasant went to the city three times, Maryushka met three Baba Yagas, received three gifts, woke up Finist for three nights.
Magic transformation - Finist turned into a bird and a man
Magical creatures - Baba Yaga, gray wolf
Magic objects - hoop, needle, spindle, egg, bottom

Drawings and illustrations for the fairy tale "Finist - the clear falcon"

St. Petersburg: Expedition for the procurement of state papers, 1902. 12 p. with ill. The cover and illustrations are made using the chromolithography technique. In a color illustrated publisher's cover. 32.5x25.5 cm. Series “Fairy Tales”. Super classic!

Of course, Bilibin had predecessors, and above all Elena Dmitrievna Polenova (1850-1898). But Ivan Yakovlevich still followed his own path. At first, he did the illustrations not to order, but, one might say, for himself. But it turned out that the Expedition for Procurement of State Papers became interested in them. The best Russian printing house, founded in 1818, printed banknotes, credit cards and other official products that required special means of protection against counterfeiting. Issues of cost and economic feasibility did not concern her. The expedition was generously financed by the state; it did not need funds. But the people who led the Expedition for the procurement of state papers - its manager - the prince, but also the famous scientist, academician Boris Borisovich Golitsyn (1862-1916), engineer and inventor Georgy Nikolaevich Skamoni (1835-1907), were tired of the monotony of official products. Bilibin makes illustrations for “The Tale of Ivan Tsarevich, the Firebird and the Gray Wolf”, for “The Frog Princess”, for “The Feather of Finist Yasna-Falcon”, for “Vasilisa the Beautiful”.

These were all watercolors. But in the Expedition for the Procurement of State Papers they decided to reproduce them by chromolithography. It was the twentieth century, and the dominance of photomechanical methods of reproduction had already established itself in printing, and the Expedition allegedly revived ancient reproduction processes. Bilibin showed his watercolors in 1900 at the second exhibition of the World of Art. The artist seems to be reconsidering his views on the community, which both Ilya Efimovich Repin and the outstanding critic Vladimir Vasilyevich Stasov (1824-1906) interpreted as decadent. The word “decadence,” derived from the Latin decadentia, meaning “decline,” became attached to the new artistic movement.

It is interesting that V.V. Stasov, in his critical analysis of the World of Art exhibition, contrasted Bilibin with the rest of its participants - the “decadents”, drawing parallels between this artist and the Wanderer Sergei Vasilyevich Malyutin (1859-1937). “Not so long ago, in 1898,” wrote Stasov, “Malyutin exhibited about a dozen illustrations for Pushkin’s fairy tale “Tsar Saltan” and for the poem “Ruslan and Lyudmila”... At the current exhibition there are no illustrations by Mr. Malyutin, but there are several excellent similar illustrations by Mr. Bilibin - 10 pictures for the fairy tales “The Frog Princess”, “Finist’s Feather...” and for the saying:

Once upon a time there lived a king

The king had a court

There was a stake in the yard

There is bast on the stake,

Shouldn't we start the fairy tale over again?

These are all very pleasant and wonderful phenomena. The national spirit in the work of our new artists has not yet died! Against!". The watercolor with the king picking his nose was reproduced by the Expedition for the Procurement of State Papers using a special technique - algraphy - flat printing from aluminum plates. The prints were attached to the St. Petersburg magazine “Printing Art,” which enjoyed great authority among printers, but, unfortunately, was not published for long. They started talking about Bilibin, emphasizing the uniqueness and originality of his talent.

Acquaintance with the artists of the Mamontov circle E. Polenova and S. Malyutin, with the paintings of V. Vasnetsov, helped Bilibin find his theme. He, being a member of the “World of Art” circle, becomes an adherent of the national romantic movement. It all started with an exhibition of Moscow artists in 1899 in St. Petersburg, at which I. Bilibin saw the painting “Bogatyrs” by V. Vasnetsov. Brought up in a St. Petersburg environment, far from any fascination with the national past, the artist unexpectedly showed interest in Russian antiquity, fairy tales, and folk art. In the summer of the same year, Bilibin went to the village of Egny, Tver province, to see for himself the dense forests, clear rivers, wooden huts, and hear fairy tales and songs. Paintings from the exhibition of Viktor Vasnetsov come to life in the imagination. Artist Ivan Bilibin begins to illustrate Russian folk tales from Afanasyev's collection. And in the fall of the same year, the Expedition for the Procurement of State Papers began to publish a series of fairy tales with Bilibin’s drawings.

Over the course of 4 years, Ivan Bilibin illustrated seven fairy tales: “Sister Alyonushka and Brother Ivanushka”, “White Duck”, “The Frog Princess”, “Marya Morevna”, “The Tale of Ivan Tsarevich, the Firebird and the Gray Wolf” ", "Feather of Finist Yasna-Falcon", "Vasilisa the Beautiful". Editions of fairy tales are of the type of small, large-format notebooks. From the very beginning, Bilibin's books were distinguished by their patterned designs and bright decorativeness. The artist did not create individual illustrations, he strove for an ensemble: he drew the cover, illustrations, ornamental decorations, font - he stylized everything to resemble an old manuscript. The names of the fairy tales are written in Slavic script. To read, you need to look closely at the intricate design of the letters. Like many graphic artists, Bilibin worked on decorative type. He knew fonts well different eras, especially the Old Russian charter and semi-statut. For all six books, Bilibin draws the same cover, on which there are Russian fairy-tale characters: three heroes, the bird Sirin, the Firebird, Gray wolf, Snake-Gorynych, Baba Yaga's hut. And yet it is clear that this antiquity is stylized as modern. All page illustrations are surrounded by ornamental frames, like rustic windows with carved frames. They are not only decorative, but also have content that continues the main illustration.

In the fairy tale “Vasilisa the Beautiful,” the illustration with the Red Horseman (sun) is surrounded by flowers, and the Black Horseman (night) is surrounded by mythical birds with human heads. The illustration with Baba Yaga's hut is surrounded by a frame with toadstools (what else could be next to Baba Yaga?). But the most important thing for Bilibin was the atmosphere of Russian antiquity, epic, fairy tale. From authentic ornaments and details, he created a half-real, half-fantastic world. Ornament was a favorite motif of ancient Russian masters and main feature art of that time. These are embroidered tablecloths, towels, painted wooden and pottery, houses with carved frames and piers. In his illustrations, Bilibin used sketches of peasant buildings, utensils, and clothing made in the village of Yegny. Bilibin proved himself to be a book artist; he did not limit himself to making individual illustrations, but strived for integrity. Feeling the specificity of book graphics, he emphasizes the plane with a contour line and monochromatic watercolor painting. Systematic drawing lessons under the guidance of Ilya Repin and acquaintance with the magazine and society “World of Art” contributed to the growth of Bilibin’s skill and general culture. The expedition to the Vologda and Arkhangelsk provinces on the instructions of the ethnographic department of the World of Art society was of decisive importance for the artist. Bilibin became acquainted with the folk art of the North, saw with his own eyes ancient churches, huts, utensils in the house, vintage outfits, embroidery. Contact with the original artistic source national culture forced the artist to practically re-evaluate his early works. From now on, he will be extremely accurate in depicting architecture, costume, and everyday life. From his trip to the North, Bilibin brought back many drawings, photographs, and a collection of folk art. Documentary substantiation of every detail becomes the artist’s constant creative principle. Bilibin's passion for ancient Russian art was reflected in the illustrations for Pushkin's fairy tales, which he created after a trip to the North in 1905–1908. Work on fairy tales was preceded by the creation of sets and costumes for Rimsky-Korsakov’s operas “The Tale of the Golden Cockerel” and “The Tale of Tsar Saltan” by A.S. Pushkin. Bilibin achieves special brilliance and invention in his illustrations for fairy tales by A.S. Pushkin.

The luxurious royal chambers are completely covered with patterns, paintings, and decorations. Here the ornament so abundantly covers the floor, ceiling, walls, clothes of the king and boyars that everything turns into a kind of unsteady vision, existing in a special illusory world and ready to disappear. “The Tale of the Golden Cockerel” was the most successful for the artist. Bilibin combined the satirical content of the fairy tale with the Russian popular print into a single whole. Beautiful four illustrations and a spread completely tell us the content of the fairy tale. Let us remember the popular print, which contained a whole story in a picture. Pushkin's fairy tales were a huge success. The Russian Museum of Alexander III bought illustrations for “The Tale of Tsar Saltan”, and the entire illustrated cycle “Tales of the Golden Cockerel” was acquired by the Tretyakov Gallery.

Falcon gouache step by step for children from 5 years old. Master class with step-by-step photos

Master class on painting with gouache from 5 years old "Landscape with a falcon"

Author: Natalya Aleksandrovna Ermakova, Teacher, Municipal Budgetary educational institution additional education children "Children's Art School named after A. A. Bolshakov", Velikiye Luki, Pskov region.
Description: The master class is intended for children from 5 years old and their parents, educators, and additional education teachers.
Purpose: interior decoration, gift, drawing for exhibitions and competitions.
Target: creating a landscape with a falcon using the gouache technique.
Tasks:
-teach children to draw a falcon using the gouache technique;
-improve the skills of constructing a preliminary sketch, the ability to correctly position the drawing on the sheet format;
-practice in working with a brush (all bristles, tip), the ability to use strokes of different directions and amplitudes in work;
-develop an eye, attentiveness, and interest in working with color;
- to cultivate interest in the traditions and customs of their native land.

Hello, dear friends and guests! Today the main object of our creativity is the falcon. This bird has always been very important in the lives of people; many legends, myths and fairy tales about the falcon have been preserved in the glorious legacy of our ancestors.
We take purity and simplicity from the ancients,
Sagas, fairy tales - we drag from the past, -
Because good remains good -
In the past, future and present!
(author V. Vysotsky)
The falcon is an extraordinary and one-of-a-kind bird of prey, which has a powerful beak and claws that will attack its enemy only directly, head-on. The falcon never "hits when he's down", he always waits until his opponent is able to continue fighting.
That is why the Slavs revered the falcon as a high-born warrior protected by heavenly grace. And, a head-on collision on the battlefield was the favorite method of warfare. So, our ancestors believed, it was much more honest.
And now, years and centuries later, and today, a number of elite Russian military units contain a falcon in their name or emblem.

In the rich cultural heritage of our ancestors, the falcon shared with the eagle a significant part of its solar symbolism, expressing inspiration and victory. In the falcon, people have always seen the power of the sky itself, and the golden falcon on banners and shields signified cosmic harmony
The falcon has become a symbol of masculinity, militancy and nobility, for which honor comes first. He is not for cruelty and blind murder, he is for justice.
It was worn by warriors as a talisman to defeat the enemy and protect their territories. Also, the falcon symbol gave powerful energy to its owner, inspired him before the battle and set him up for a positive outcome.

Slavic mythology knows two wonderful falcons:
The first of them is Rarog, the embodiment of a fiery spirit associated with the cult of the hearth and the god of fire Semargl.
According to ancient legends, Semargl is the eldest son of Svarog, his name is Fire Svarozhich. At the beginning of time, when Svarog hit the white-flammable stone Alatyr with a magic hammer, divine sparks carved from the stone scattered, flared up, and the Fire God Semargl was born from the flame. The luminous Fire God Semargl appeared in a fiery whirlwind, and like the Sun, illuminated the entire Universe. Then God’s wind arose from the great fire of Svarog, and thus the god of winds Stribog was born. He began to fan the great flame of Svarog and Svarozhich-Semargl.

In fairy tales, the bird Ragog (fiery falcon of victory) is the embodiment of Semargl in the earthly world; he plays the role of the primordial fire that feeds the whole world with life. He is a fiery spirit that brings warmth and power, and is patronized by the god Svarog himself. Rarog, by the way, was the link between the Upper world (Rule) and the earthly world (Reality). That is, he listened carefully to the instructions of the gods in heaven, and then flew to people and told them. It is believed that this bird comes to its owner with sparkling plumage and brings him protection from diseases and enemies. Also, the fiery falcon protects the house from evil, the evil eye, and helps to find family happiness.

Finist (the fiery falcon of battle) was also an incarnation of the god Semargl.
As a character in Russian fairy tales, Finist the Clear Falcon is a wonderful husband in the guise of a falcon, who secretly visited his beloved. According to one of the legends, his beloved is the goddess Lelya. She became for him faithful wife, the one who is capable of giving all of herself to only one, loved one.
The magic feather of the bird Finista Jasna Falcon has wonderful properties: it not only helps the young Finist turn into a falcon, but also removes all obstacles on his way. Be it an impenetrable thicket, a deep abyss or a huge enemy army.

Each fairy tale is the great heritage of our ancestors, through which they tried to pass on to their descendants the knowledge, technology and achievements of ancient civilization. The Tale of the Clear Falcon is no exception - the main character goes after the Clear Falcon to the thirteenth (three by ten) Hall. The Thirteenth Hall (constellation) on the Svarog circle is the Hall of Finist. That is, she made her way to another solar system on seven spaceships, with seven transfers, wearing out seven pairs of iron boots along the way (shoes with artificial gravity, for moving in a spaceship) and devouring seven iron loaves (an image of the astronauts’ food, which is stored in metal packaging).

In Slavic folklore, the falcon symbolized a warrior, usually a young hero, a hero and a prince leading a fighting squad. This image is often mentioned, for example, in “The Lay of Igor’s Campaign.” The Trident of Rurikovich appeared as an allegory of a diving falcon. The epic Prince Volga, standing guard over the borders of Rus', could turn into a falcon.
Nowadays Finist Yasny Sokol is an image of the revival of Russia, which, plunging into the literary roots of the beliefs of its ancestors, is trying to get back on its feet, regain spiritual strength, and create good through friendship and not enmity. Bright Russia, striving to be the first, living, ruling power for the good.

Materials and tools:
-sheet of A3 paper
-simple pencil, eraser
-gouache
-brushes
-water jar
-cloth for arms and hands
-palette

Progress of the master class:

Let's start the work with a preliminary sketch in pencil. Find the middle of the sheet and divide it into two parts using a horizontal line. Approximately in the middle of this line we place the oval of the falcon's head.

Next, draw the beak and eye of the bird, and the lines of the chest and back of the falcon. Externally, the preliminary drawing reminds us of the previous work on drawing a rabbit.

Then we work with color, we need pink. It can be created on a palette, it all depends on the colors available in the set, you can use both scarlet and ruby colors - mix with white.
With pink color, using strokes in a horizontal direction, we cover almost the entire surface of the work. We leave unpainted the horizon line, the cloud (we draw its silhouette immediately with paints) and the falcon, as well as the very bottom part of the work - there we will later place the line of the ground with herbs.

At the very top of the picture using of blue color draw a line of clouds.

We combine the blue color with the pink background of the sky using a semi-dry brush, as if rubbing the paint. Then fill the lower cloud with white, as well as strokes white we add them above the horizon line itself, carefully connecting them with the pink color. We introduce some shades of blue into the cloud, thereby creating blue shades.

Now we need the pure scarlet or ruby color we used to create the pink. We will use it to draw a forest; it is located on the other side of the lake and is reflected in it.

In the lower part we will draw herbs with the same color, using the “dipping” technique.

We draw the grass in three tiers - first red, then blue and black, applying one layer of color to the other.

In black we draw the silhouettes of tree trunks.

We also draw tree branches in black and apply red shadows to the trunks. Next we use it in our work yellow for the bird's beak and eye, and white for the falcon's breast.

Working black again.

Well, the most important work is the plumage of the bird. We need to carefully combine the black color with white, we work with a clean brush with water (I wash the brush often) in small strokes - creating various shades of gray - imitating the feathers of a falcon. We work on the beak using the same principle, combining black with yellow + a few strokes of white.